LGBTQ+ Make Out At Trump Tower

I went to the LGBTQ+ Make Out At Trump Tower this past Sunday to document the LGBTQ+ struggle. Having had numerous gay friends since college, I felt like it was my duty to go document this protest in particular. Even though it was much less popular than some of the previous protests I covered in the last few weeks. Plus, the image of a huge crowd of people making out at the same time while protesting Trump seemed like a sure win in my mind. It was a cold, slippery, and rainy afternoon which probably contributed to the low turnout …

Snow Days

When I was a kid, blizzards usually meant snow days i.e. day off from school to go sledding with my friends. So I have many fond memories associated with snow, and blizzards from when I was little. That’s probably why I try to get at least one snow shoot in every year. But shooting in a blizzard can be unpredictable because the weather might suddenly change on you. Basically I need to drop everything and pull together a shoot at the last minute to make it happen. This year, I went out during the blizzard last Thursday to photograph New …

Walking Narcissist - A man in a dark suit walking in the street, with a line of men in white suits reflected in a window, walking in the opposite direction.

Walking Narcissist

Walking Narcissist Walking Narcissist is about the process of introspection, of questioning who we are and who we want to be. Like my Narcissus before it, this image directly deals with what is perhaps the primary theme of World of One, how our identities are constructed.   Production Notes The composition and placement in of the figures in Walking Narcissist, combines themes from my previous works Reflection, and Diligentia II. Reflection was the first W.O.1 image I shot on film, but I was never happy with the way it came out (which is why I hardly ever show it). I thought the …

Silent Scream - A women dressed in black screaming, with a group of the same women dressed in white sitting gesturing for her silence.

Silent Scream

Silent Scream Silent Scream is the product of a collaboration with NYC based Hip Hop dancer/choreographer/actress Mayo Kinoshita. Mayo has a dizzying array of skills, and I felt really lucky to have her pose for my camera. Originally I had a more static and somber image in mind. However, once we started shooting, I was blown away by Mayo’s more dynamic take on the subject. This resulted in a much more fluid image, which I find easier on the eyes and more enjoyable to study in detail.   Artist Notes Silent Scream is about how we use seductive lies to …

Instillation shot of BBoy Monsters at Reedspace

Show Report: BBoy Monsters at Reedspace

  I’ve always dreamed of having a solo show in Manhattan. So to see my BBoy Monsters work up at Reedspace, a venue some of my heroes (such as Phunk Studio, whose work inspired my World of One series) have shown in, this was dream come true!!! I was much more involved with the organization of this exhibition than normal. So it really felt like it was brought to life through pure willpower. The majority of shows I participate in, all I’m really expected to do is deliver the art on time. This show however, not only did I make …

Group of women with brown hair and dark jackets reading and taking notes on the front steps of the Metropolitan Museum of Art. One women in the background in red reading lazily on her side.

Lazy Work – Visualizing Work and Play Through Art

Lazy Work 2015 If you’re anything like me, trying to find the right balance between work and leisure is a daily struggle. When I’m too focused on work, all I can think about are the things I want to do when I finish (which typically include degenerate and self-destructive activities). However, even when I have free time on my hands, I find that it is no longer “free.” Instead, I start to stress out about the work I probably should be doing, but am too lazy to get started on it. This battle between my dedication to my work and …

An Asian man on a domed stone stage in a white suit with Asian men in black suits reaching from below.

World of One: Fortuna

Fortuna 2015 Archival Pigment Print from 35mm Negatives 24 x 41 1/4 inches | edition of 5   Growing up in the US through the mid 80’s and 90’s, I was raised in a culture obsessed with trying to convince everyone that they are winners. This is an unrealistic outlook, given the fact that in most competitions, more often than not, there can be only one winning party. So statistically speaking, myself and others often ended up on the losing end of things. For me, this near obsessive focus on being a winner has actually had a negative effect. Mostly …

World of One: NSA

NSA (from the series World of One) 2014 Archival Pigment Print from 35mm Negatives 24″ x 43 5/8″ inches | edition of 5   This image has been marinating in my brainpan for months. I came up with the idea for this shot shortly after the NSA leaks broke out last year. However, I wasn’t able to find a suitable setting to serve as its backdrop until this past June. Furthermore, until these past few weeks, I’ve had neither the time, nor the resources to develop this picture to its completion. For me, this image represents one of America’s biggest …

World of One: Commodum

Commodum (from the series World of One) 2014 Archival Pigment Print from 35mm Negatives 24″ x 40 7/8″ inches | edition of 5   “Good luck seldom walks in pairs, but bad luck never walks alone” – Chinese Proverb Apologies to my regular readers – New York life has been kicking my ass recently, which is why I hadn’t been making any posts for the last two months. My free time was swallowed whole by the apartment hunt monster, which left me with mere crumbs of time to produce any artwork. The apartment hunting process led me to ponder on …

World of One: A Waking Dream

A Waking Dream (from the series World of One) 2014 Archival Pigment Print from 35mm Negatives 24″ x 43 3/8″ inches | edition of 5   One of my favorite philosophical questions to ponder is: “How can I tell if the reality I’m seeing is real?” That is, how can we tell the difference between the reality we see before us and a convincing illusion? As an artist, this is a question that I often allude to in my work, particularly in regards to the authority we give photographs over how we perceive the world around us. Photographs have an …