Warning: Declaration of Intheme_Menu_Walker::walk($elements, $max_depth) should be compatible with Walker::walk($elements, $max_depth, ...$args) in /home/johnn29/public_html/wp-content/themes/fluxus/lib/intheme-menu-walker.php on line 0
filmisnotdead Archives | Johnny Tang Photo
White suited Asian guy sitting on some steps in the shade, surrounded by angry looking dark suited asian guys with red shoes.

World of One: Angry Calm – the Art of Cool

Angry Calm 2016 Giclée Image size (HxW): 24″ x 47 9/16” inches | Paper Size (HxW): 30″ x 53 9/16” | Edition of 5   What is the essence of cool? I’ve spent years of my life (some would say wasted), trying find the answer to this question. The art of cool of me however, has always eluded me. Growing up in the 90s, I thought parachute pants were cool (something my high school friends will never let me forget). I also spent the entirety of my 20s trying to “keep it real” maintaining a lifestyle befitting for a bohemian …

Shinobi No Kame - A group of dark suited Asian men standing on a roof, staring at an Asian man emerging in a white suit.

World of One: Shinobi No Kame

Shinobi No Kame 2016 Giclée Image size (HxW): 24″ x 40 7/16” inches | Paper Size (HxW): 30″ x 46 7/16” | Edition of 5 Shinobi No Kame is inspired by Ninja Turtles (my favorite tv show growing up), and by the legendary Life Magazine photographer Gordon Parks. Although the atmosphere of Shinobi No Kame is reminiscent of a generic comic book ambush scene. The composition is inspired by Gordon Parks’ iconic The Invisible Man collaboration with writer Ralph Ellison. Production Notes This shot was taken almost as an afterthought. This summer, I was obsessed with shooting a water balloon scene for …

An overheating Johnny in a dark suit, standing next to a door in rural Taiwan, with white suited Johnnys in the reflection behind him.

World of One: Citong

Citong 2016 Giclée Image size (HxW): 24” x 52 7/16” inches | Paper Size (HxW): 30” x 58 7/16” | Edition of 5   Citong is named after my father’s hometown, a small village in Taiwan’s rural southern countryside. This image was shot at my grandparents’ house. A place remarkably unchanged since I was last there nearly ten years ago. Though this picture is loaded with nostalgia for me personally, I think artistically it comes up a little short. Here are some thoughts on why that is so.   Production Notes From a technical standpoint, these were really difficult shooting conditions. …

Invictus Excerpt

Why the Colorful Shoes?

Excerpt from Invictus What’s with the colorful shoes? This is a question I get a lot when it comes to my self-portrait work. The short and simple answer, is that it’s an allusion to my youthful days as a competitive BBoy (break dancer). The long and complicated answer however, is that they’re there to represent the mysteries of life we have yet to solve. Sounds like art school bullshit, I know. But bare with me a little. The World of One is centered around the themes of dichotomy and paradox. I use the black and white suits as a metaphor …

Two images, both of an asian guy in a suit doing a headstand on a natural background. One on the left shot using digital, one on the right using film.

Why I Shoot Film

I often make it a big deal that I’ve shot the nearly the entirety of my World of One photo series on film. I prefer to shoot on film because it adds to the craft of the image, and also adds to the viewer’s appreciation of the piece. A smarter person might not choose to work in this way, as it is not an efficient or cost-effective method to make work, but I am passionate about the visual and artistic integrity of my art, so I stand by my decision to shoot on film. While certainly there are artistic advantages to …